From "The Humbling of Eliot Spitzer" by Nick Paumgarten, The New Yorker, 12/10/2007:
Spitzer’s tenure as a state attorney general may be the most heavily chronicled of any in America’s history. He reimagined the office, inserting it into the void left by a general regulatory retreat by the federal government. He regarded his activism as a logical and just extension of a new states’-rights movement, which had been conceived as an attempt to roll back oversight and advance a conservative, laissez-faire agenda, but which Spitzer interpreted as an invitation to state-led intercession and prosecutorially mandated policy change. With great gusto, he went after big polluters, pharmaceutical companies, gun manufacturers, and, most notably, the financial industry, where various harmful and fraudulent practices had taken root—insincere equity research, shady market timing, bid rigging. As many saw it, Spitzer’s modus operandi was to build a case against his targets, then push the most egregious allegations in the media, which put unbearable public pressure on the targets to settle. And settle they almost invariably did. Spitzer earned an impressive array of scalps, admirers, headlines, and plaudits for reform, as well as a coterie of powerful enemies, whose indignation toward his media manipulations, disproportionate tactics, and occasionally shallow understanding of their businesses tended to be drowned out by the widespread public disgust engendered by their greed.
Brooke Masters, in “Spoiling for a Fight,” her 2006 biography of Spitzer, meticulously recapitulates each prosecution—the regulatory turf battles, the legal dekes and dodges, the mutating rationales—creating a portrait of a righteous and far from infallible crusader employing every tactical advantage that his office makes available to him. He does not always come off well. (All the same, his parents have the book on the coffee table at their house in Rye.) His detractors tend to complain that the press created Eliot Spitzer—that the Sheriff of Wall Street, to use one moniker, was a fantasy of the liberal, wealth-resenting media. And so they take some satisfaction in the fact that the pendulum seems to have swung back on him, with so much force that you’d think it was spring-loaded.